In addition to the usual eye AF for humans, you can also enable eye AF for animals in the camera's menus, which is designed for photographing typical pets, like dogs and cats, but can work for some wildlife as well. These four main upgrades carry a premium of around $500 over the A6400. Above: The A6600 becomes the second body in the A6000 series to offer built-in stabilisation, inheriting the exact same capabilities as the A6500. Above: in the first disappointment on a $1400 flagship body, the A6600 continues to employ a single SD card slot, and worse, it still won’t exploit the speed of UHS-II cards – an annoying decision for a camera that’s otherwise so effective for sports, action and wildlife, and after shooting a large burst you can be left waiting some time for the buffer to clear. The Sony a6600 has an industry-leading autofocus system, is capable of excellent images and video, comes with very useful in-body image stabilization and has the best battery life of any mirrorless camera on the market at this time. The A6600 is dust- and moisture-resistant, and the top cover, front cover, internal frame and rear cover are all constructed using lightweight magnesium alloy. Above: behind a flap on the left side you’ll find the A6600’s four ports: Micro USB, Micro HDMI and now both microphone and headphone jacks. The 3-inch touchscreen, which has only 921k dots, has an increased tilting range. While it may look very similar to the A6400 and A6500, the new A6600 does add a fourth custom button to the camera body. Shedding some light on the sources of noise. ONLY ORIGINAL JPG or ARW files STRAIGHT from the camera will work. In terms of buffer depths, Sony rates the camera for 46 raw images at 11 fps and 116 JPEG images before the buffer fills, but we will verify these specs in our lab testing. In terms of wireless connectivity, the camera includes Wi-Fi , NFC and Bluetooth. In terms of controls, I’d really like to have seen an AF joystick, while eagle-eyed Sony observers will also notice the A6600 now lacks a popup flash – in fact it’s the first A6000 model not to have one, with Sony’s justification being that target customers will either be video shooters or high-end photographers who typically don’t use popup flashes, but I still find them handy for quick fills and I miss it here – what do you think? Grip and battery. When shooting in low light, the A6600 is rated to focus from around -2 EV to 20 EV (ISO 100 at f/2.0), so it should prove fairly capable in low light. The HDMI port will output clean 4k, but sadly there’s still no 10-bit here internal or external, again a feature available on the Fujifilm X-T3 and even externally on the cheaper X-T30. It uses Sony's Real-time Tracking autofocus technology, which seamlessly and reliably transitions from subject tracking to face detection and finally to eye detection. When compared to the A6500, the A6600 includes a higher extended ISO (102,400 versus 51,200). At this point it's reasonable to wonder how much of the A6600 is really new, as many features are shared between the A6400, A6500 and A6600 cameras. Sony does exploit this spare area for shooting information, but the active image area for stills remains smaller than rivals with narrower screens. There may be no 4k above 30p, nor any 10-bit recording internal or external – all of which is available on the Fujifilm X-T3 – but there’s no arguing with the quality of Sony’s oversampled 4k footage. This allows for improved image processing, speed and overall performance. 08/30/2019: Gallery Images added. The new Sony A6600 will go on sale in November and will be sold both body-only and as a kit with the Sony E 18-135mm lens. In this video, he tests four popular APS-C and Micro Four Thirds bodies. All of those features, however, a… Start with my video review below, or if you prefer scroll beyond it to the written version, then check out my quality results, sample images and final verdict pages! The A6600 has a single SD/MSDuo card slot, which supports UHS-I. But personally I wasn’t fond of the shape of the A6600’s new grip which bulged-out as it met the body without providing much of a hooked inner area for your finger tips. Above: in another disappointing move, the A6600 inherits the 2.36 Million dot OLED viewfinder introduced back on the A6300 three and a half years ago. Announced Aug 28 ... Sony a7C review. It’s no different from other recent Sonys, but it still works well. To make the test fair, and focus solely on IBIS, he paired each with a similarly specced lens with no optical stabilisation. The Sony a6600 is the company's top-of-the-line APS-C mirrorless camera, with 24MP of resolution and 4K video capture. Sony a6600 Specs. The A6600 also becomes the first APSC model in the range to sport a (long overdue) headphone jack, and it now additionally supports eye detection in movies. 2. The image processor and improved LSI were first seen in the Sony A9, so it's interesting to see how Sony's latest and greatest tech improvements trickle down to their more affordable, and in this case smaller-sensored, cameras. If you have never used a Sony camera, or are coming from a point and shoot style camera, or cell phone, than this is a must watch video! Further, the A6600 processes images in 16-bit before outputting a final 14-bit raw file, which Sony states results in improved texture detail, shadow detail and tonal gradation. The rear of the camera looks quite similar to the A6400 and A6500, including a variety of buttons, control dial and select button. The A7 camera has an ISO range of 100 to 51200, with extended values going up to … While the A6600's 24.2-megapixel APS-C Exmor CMOS image sensor is not new, with their latest Bionz X image processor and additional improvements, the sensor behaves a bit differently in the A6600. Sony's a6600 doesn't exactly introduce any brand new technology, but its combination of winning features like a higher-capacity battery and seamless tracking autofocus means it's shaping up to be a very compelling camera. Video looks superbly clear and pin sharp. Above: I was surprised to discover the A6600’s hotshoe does not include the pins introduced on the A7r IV to support a digital connection with the new ECM-B1M microphone. Above:the A6600 inherits the articulated screen mechanism of the A6400, allowing it to angle down by almost 90 degrees and up by 180 to face you for selfies or vlogging; this represents greater flexibility than the earlier A6500, although it’s matched by most models now including Sony’s own cheaper A6100. In total, the A6600 weighs 1.11 pounds (503 grams) with the larger Z battery inserted (more on that later) and with an SD memory card. Sony A6600 shooters only have access to 4K30p or 1080p 120fps, just as in the A6300. The intro video was great, and I hope to view and learn from the others. Like the A6400, the viewfinder remains XGA in resolution, there’s only one card slot (albeit rotated within the chunkier grip in order to accommodate the bigger battery), and while 4k at 24 and 25p use the full sensor width and oversample from 6K’s worth of data, 4k at 30p still incurs a minor crop. Do however note that their combined price is roughly the same as the full-frame A7 III fitted with the Tamron 28-75mm f2.8 zoom, so literally something to weigh-up in comparison if you don’t mind the larger combination. That said, it was less successful when I was walking and filming as I’ll show you later. The camera's 4K UHD video recording derives from a 6K oversampled recording for improved quality. Instead it’s Sony’s earlier Multi Interface Shoe, although this will still power the ECM-B1M and support an analogue connection without a cable; so while there’s an unnecessary conversion from digital to analogue then back again with the possibility of an increase in noise, the mic can still apply its DSP effects and I’ll demonstrate them later. Further, its autofocus system is improved, with the A6600 offering 425 PDAF and 425 CDAF points compared to the A6500's 425 PDAF and only 169 CDAF points. In addition to the aforementioned mic and headphone jacks, the camera also includes Micro HDMI (Type D) and USB 2.0 (Micro-B) ports. The A6600 becomes the first Sony APSC body to use the company’s higher capacity FZ100 battery pack, increasing the life to 810 shots under CIPA conditions, roughly double the A6400 and more in fact than the full-frame bodies which use it. With respect to the camera's operability while writing to the card, which has long been a sore spot with Sony cameras, the A6600 promises improved performance here, although during our hands-on time with the camera there were still some issues, which we will investigate further when we get extended time with the camera. #7 NO FEATURES FROM A7R4 Some of the features we hoped could be inherited from the flagship sibling the A7R IV were left out like the double function menu (still and video) or the profile saving on SD cards. Like prior tilting Sony displays, the A6600's display does not tilt to the side. The camera also includes touch focus and touch shutter functionality. The A6600 also incorporates Sony's latest real-time eye AF and real-time tracking autofocus features. With its Fast Hybrid AF, Sony claims that the A6600 can achieve focus in as little as 0.02 seconds. The new Sony A6600 will go on sale in November and will be sold both body-only and as a kit with the Sony E 18-135mm lens. The video below was shot with the Sony A6600 in 4K at 25p and 100Mbs hand-held to test the in-body image stabilisation (IBIS). The A6600 includes a single SD/MSDuo card slot, which supports UHS-I rather than UHS-II. Any photo editing software will damage this data. The Sony A6600 is built around the concept of speed and that is evident when considering the camera's autofocus and overall performance. This larger battery offers up to approximately 810 shots, which is about 2.2x better than the battery life of the A6400 and A6500 cameras, which use Sony's smaller W-type battery. Like other recent Sony bodies, the A6600 allows you to tap to reposition the AF area – including when composing through the viewfinder – but not much else. Above: Like other recent Sony cameras, the A6600 lets you choose from a variety of autofocus areas from a variable-sized single area through Zone to Wide where you hand over the reins entirely to the camera.

sony a6600 video test

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